UMAR RASHID (FROHAWK TWO FEATHERS)
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EXHIBITIONS UMAR RASHID, “THE MESSIER OBJECTS. (YOU GET THE GODS YOU DESERVE). PART 3 OF THE AMERICAS 1795”, “SUMMER FLING – THE BARN SHOW”
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Zenithing in the time of yeah, it’s all good mostly.” Break the chains! Stele for the coronation of Horace and Isabel, the King and Queen of Harlem., 2017
Acrylic, ink, and photocopy transferred to canvas
60 x 40 in. (152 x 102 cm)
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Zenithing in the time of yeah, it’s all good mostly.” Break the chains! Stele for the coronation of Horace and Isabel, the King and Queen of Harlem., detail, 2017
Acrylic, ink, and photocopy transferred to canvas
60 x 40 in. (152 x 102 cm)
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Laocoon and Sons. Another Tragedy. Stele for the Battle of Troy. The crushing loss that became victory. Or Zeus vs. Typhon., 2017
Acrylic, ink, and photocopy transferred to canvas
60 x 40 in. (152 x 102 cm)
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Laocoon and Sons. Another Tragedy. Stele for the Battle of Troy. The crushing loss that became victory. Or Zeus vs. Typhon., detail, 2017
Acrylic, ink, and photocopy transferred to canvas
60 x 40 in. (152 x 102 cm)
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Isabel, Queen of Harlem. The good mother we all wished we had. Messier no. 41., 2017
Ink, tea, and coffee on paper mounted to canvas
30 x 22 in. (76 x 56 cm)
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Flavius Aetius, brigadier general of the Army of the North River, 2017
Acrylic and ink on panel
10 x 8 in. (25 x 20 cm)
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The Battle of Memphis (On the Ave. where it lives and dies, violently, silently)., 2016
Acrylic, and ink on paper mounted to canvas 71 x 42 3⁄4 inches
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The Battle of Memphis (On the Ave. where it lives and dies, violently, silently)., detail, 2016
Acrylic, and ink on paper mounted to canvas 71 x 42 3⁄4 inches
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“Bout to set it off like one Mississippi….”, 2016
Acrylic and ink on panel 11 x 14 inches
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“Lay it down, Lay it down!” K.ill T.hem A.ll!, 2016
Ink, graphite, coffee, and tea on paper 71 x 42 1⁄2 inches
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Umar Rashid, The Palace of the Quilombos, 2015
Acrylic and ink on canvas, 72 x 84 inches
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Umar Rashid, LaDonna 1793 of Haiti from the “Black Athenians” series, 2015
Acrylic and ink on canvas, 24 x 18 inches
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Umar Rashid Andre 1793 of Haiti from the “Black Athenians” series, 2015
Acrylic and ink on canvas, 24 x 18 inches
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Umar Rashid, Susquehanna Sam, 2013
Acrylic, ink, coffee, and tea on paper
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Umar Rashid, Irene of the Sisters of the Red Wood, 2014
Acrylic, ink, coffee, and tea on paper
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Umar Rashid, La Mort D’Anibal, 2014
Acrylic, ink, coffee, and tea on paper, 40 x 52 inches (framed)
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La Caballeria Baile. Those dancing days. (Killa/Priest), 2016
Acrylic, ink, coffee and tea on paper
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The Death of Aurelio in the presence of the gods. Or, the new Pygmalion. My creator’s death is giving me so much life. (El mundo es tuyo), 2016
Acrylic, ink, coffee and tea on paper
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Stele from the War of the Dancing Machetes, 2012
Olive wood, varnish
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If the New World were mine. Vandrossing in Califas. Sitting, and sipping on that stoop like there was no tomorrow, right before we burned that shit to the ground., 2016
Acrylic, ink, coffee and tea on paper, 22 x 30 in.
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Look. A colonial Chimera you made me. Hernando, ran away from his Tataviam family to serve Odiseo and his Religious fanaticism., 2016
Acrylic, ink, coffee and tea on paper, 30 x 22 in.
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Per Capita (Francis III of Frengland), 2016
Acrylic on olive wood
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Pegaso, as inspired by San Juan Miguel. (The Battle of Los Angeles), 2016
Acrylic and ink on canvas, 48 x 48 in.
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Pompey, 2016
Acrylic and ink on wood, 6 x 4 in.