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“THE MIDDLE”

CURATED BY MICHAEL BUHLER-ROSE AND JOHN CONNELLY

CAROLINE WELLS CHANDLER
TM DAVY
FELIX GONZALEZ-TORRES
VAN HANOS
DAVID HORVITZ
KRIS MARTIN
ALEXANDRA FORSYTH MARTINEZ
AGNIESZKA POLSKA
SÉRGIO RODRIGUES
MARTHA ROSLER
KENT ROGOWSKI
MATTHEW SPIEGELMAN
WITH SELECTIONS FROM THE ARCHIVES OF
AMBER BROWN AND
ANDY ROBERTSON

 

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Alexandra Forsyth Martínez, The Cycle of Birth + Death silver gelatin print in custom artist frame, 40 in. x 32 in.

Alexandra Forsyth Martínez, The Cycle of Birth + Death
silver gelatin print in custom artist frame, 40 in. x 32 in.

OCTOBER 12 – NOVEMBER 11, 2017
Installation view

Installation view


Installation view

Installation view


Installation view

Installation view


Installation view

Installation view


Installation view

Installation view


Installation view

Installation view


Felix Gonzalez-Torres, "Double Fear," 1987, rub-on transfer, Private Collection, New York Kris Martin, "Self-portrait (pins)," 2008 Two found pins, painted wood shelf 1 5/8 × 31 1/2 × 7 3/4 inches (4.13 × 80.01 × 19.69 cm)

Felix Gonzalez-Torres, “Double Fear,” 1987, rub-on transfer, Private Collection, New York
Kris Martin, “Self-portrait (pins),” 2008
Two found pins, painted wood shelf
1 5/8 × 31 1/2 × 7 3/4 inches (4.13 × 80.01 × 19.69 cm)


Van Hanos, "Siren's Song," 2017, oil on linen, 72" x 60"

Van Hanos, “Siren’s Song,” 2017, oil on linen, 72″ x 60″


Matthew Spiegelman, "Title Sequence Escape from New York and LA {2 Flat 35mm trailers, two strobes, Rosco GOBO light shaper, semi- transparent window shade, 4x5 camera with tilt and swing on front standard, 180mm lens}," 2011, C-print, 40" x 32"

Matthew Spiegelman, “Title Sequence
Escape from New York and LA {2 Flat 35mm trailers, two strobes,
Rosco GOBO light shaper, semi- transparent window shade,
4×5 camera with tilt and swing on front standard, 180mm lens},” 2011, C-print, 40″ x 32″


Caroline Wells Chandler, "Strange Attractor for Agnes Martin," 2017, hand-croched assorted fibers, 70" x 73"

Caroline Wells Chandler, “Strange Attractor for Agnes Martin,” 2017, hand-croched assorted fibers, 70″ x 73″


Selections from the Archive of Amber Brown

Selections from the Archive of Amber Brown


Selections from the Archive of Andy Robertson

Selections from the Archive of Andy Robertson

 

 

 

 

 

 

 

 

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